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Theatrical artwork
Contemporary handbooks for actors recommended that they visit galleries to study gestures and poses. They ‘ought not to be a stranger to painting and sculpture’, as the theatre critic Charles Gildon put it in 1710.
Similar to the development of characters in creative nonfiction or fiction, playwrights unfold characters throughout the play. Different characters assume distinct roles, such as protagonists, antagonists, or foils.
It’s worth pointing out that the relationship between theatre and painting wasn’t one-directional. The former, quite clearly, provided inspiration for the latter. However, art provided inspiration for acting too.
Numerous plays delve into societal issues, offering a platform for critical reflection and discussion on topics such as politics, human rights, and social justice. With the ability to evoke a wide range of emotions, theater provides a cathartic experience for both performers and audiences.
Garrick, in particular, paid close attention to artworks such as the Raphael cartoons (which were on public view at Hampton Court Palace) and developed a large repertoire of poses from them for the stage. This was key when it came to pioneering his bold, new style of acting.
Collectible graphic
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